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1166 VTX (215:600)

75,00 €Price
Quantity

The Kraftwerk 1166VTX is a meticulously crafted replica of the standard Marinair LO1166 output transformer, as found in the legendary Neve 1073. Developed over a full year and through more than 200 iterative builds, this version captures the sonic depth, midrange richness, and extended highs that define the original.

 

After comparing all modern replacements and clones, it became evident that none fully embodied the dimensional tone of the original. The 1166VTX was born to fill that gap — delivering a balance of heritage and modern refinement that no other current transformer has achieved.

 

 

Model

1166VTX

Turns Ratio

1 : 1.67

 

 

Nominal Impedance

215 : 600 Ω

Primary DCR

77 Ω + 8 Ω

Secondary DCR

20 Ω + 20 Ω

Primary Inductance

180 mh

 

 

Core Material

CRGO6

Core Format

EI57 Gapped

Recommended Load

600–2k Ω

 

Build Characteristics

  • Standard LO1166 electrical configuration

  • Gapped EI core for authentic low-end behavior

  • Custom-made coil forms and tooling

  • Matching layer structure, winding tension, and insulation

  • Enhanced depth and high-frequency extension compared to original

  • Full humbucking symmetry and precise leakage control

 

Frequency Response

Extremely balanced frequency curve with rich mids and open highs Faithfully matches standard LO1166 tone with modern production precision

Built as a reference-grade version of the classic LO1166 (20+20 Ω secondary). The perfect match for Neve-style preamps and high-end analog circuits.

A Review of the M600 ST + 1366 ST

Heinke Aussenegg (Mastering Engineer Wohlklang Audio)

I have done some work with it since they arrived. Both are great! 1366 a bit more I would say "midrange pronounced" in a musical way. 600STs is more even, balanced, clean and stable.

But everything in a very subtle way. Bass always stayes very clean although it gets the little weight which is desired. Stood it's ground against the Manley Varimu v4. I prefer the 600ST because it stays more clean in the bass than Manley.

Will often depend on the music and taste but high class anyway. 

 

So thank you again for your work and service!

 

Have a nice time and all the best!

Heinke Aussenegg,

Mastering Engineer

Wohlklang Audio
 

A Review of the Kraftwerk 76KT Set

Bo Brocken - Natural Records

Last thursday I received the KT76 transformer set and installed them right away. I ran some tests on vocals and electric guitar.


I was actually expecting to hear some good changes but what I heard, the difference was huge!
The low-end became tight and punchy. The mids much more powerful, stable and a bit creamy (which I really like). The high-end more transparent and less harsh. It sounds great.


I still want to try it on kick drum but so far I really like this mod and I am happy with the result.

Thank you, Kraftwerk!
Kind regards, Bo Brocken - Natural Records"

 

A Review of the Kraftwerk 1166 VT

Andrew Carpenter (Subliminal Spectrum)

After installing the 1166VT in my Heritage TT-73, the improvement was immediate - the unit simply sounds more alive and musical than before. I wasn’t expecting such a clear step up, but it quickly became obvious in use. It’s rare to find a transformer upgrade that delivers this much character and quality.

A Review of the Kraftwerk 1201 DI Transformer — Passive and Active Configuration

Harry Brehm, Rottweil

Passive Configuration:
I tested the 1201 in passive DI mode, with both primaries and both secondaries connected in series. It was compared directly with a Palmer PAN01 and a Sowter 4243, using a 5-string bass guitar (from low B to high G). The Palmer was quickly ruled out—it lacked the openness and clarity of the 1201 and the 4243.

The 1201 delivered a very balanced frequency response from top to bottom. The low end was full and defined without being muddy, while the highs were clean and open. The entire signal had a sense of clarity and musical weight. What stood out was the way the 1201 handled higher notes on the fretboard—they remained full and rich, much like the sound of a REDDI active tube DI.

I also tried a configuration with only one primary and both secondaries in series, which produced a louder, deeper, and punchier low end with a fast transient response and a subtle growl. This was my favorite setup.

Compared to the Sowter, the 1201 had about 3 dB less output in passive mode, but that was easily adjusted on the mixer. Overall, this transformer doesn’t just look and feel high-end—it sounds that way too. For bass DI applications, I personally prefer the 1201 over the Sowter 4243.

Active Configuration:
In active mode, I placed the 1201 at the end of a simple tube circuit. The same 5-string bass signal was used, and again it was compared to the Sowter 4243. This time, no gain correction was needed—the output levels of both transformers were nearly identical.

The 1201 retained all the great qualities from the passive test—clear top-end, defined mids—but the bass became even deeper, more controlled, and authoritative. When pushed harder, it produced a smooth, pleasing low-end growl along with a subtle compression that made the playing experience feel more expressive and enjoyable.

Even under high input levels, the transformer kept its sense of air and openness—no harshness or collapse in the treble, and the mids stayed smooth, rich, and harmonically pleasing. Using one primary and both secondaries in series again gave a stronger output without compromising character.

While the Sowter 4243 is a well-known, high-quality DI transformer, the 1201 had noticeably more punch and “muscle” in direct comparison—an excellent trait for bass DI use.

Conclusion:
The Kraftwerk 1201 DI transformer is exceptionally capable, both in passive and active use. It offers clarity, power, and tonal richness that compete with (and in some ways surpass) established names like Sowter and Jensen. In my setup, particularly for bass guitar, it came out on top. I'm excited for its official release and would be happy to recommend it to others in the bass community, including on forums like bassic.de.
Great work, Goran—this is an outstanding piece of gear!

 

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